No tears now. The sum
of your parts is my whole most beautiful
chart of the constellations —your left breast
in my mouth again.
— Marilyn Hacker, Love, Death, and the Changing of the Seasons
My eyes and groin are permanently swollen,
I’m alternatingly brilliant and witless
—and sleepless: bed is just a swamp to roll in.
Although I’d cream my jeans touching your breast,
sweetheart, it isn’t lust; it’s all the rest
of what I want with you that scares me shitless.
— Marilyn Hacker, “Untitled [Didn’t Sappho say her guts clutched up like this?]”
I wish I had a roof over my bed
to pull down on my head when I feel damned
by wanting you so much it looks like need.
— Marilyn Hacker, “Untitled [You did say, need me less and I’ll want you more]”
It is remarkable indeed how we human beings are capable of delighting in the mating call of a flower while we are surrounded by the charred carcasses of our fellow animals—but then we are remarkable creatures. Perhaps it is in our nature to recognize subconsciously the link between mortality and procreation—between, that is to say, the finite and the infinite—and we are in fact driven by reminders of the one to seek out the other.
— Mohsin Hamid, The Reluctant Fundamentalist
When it comes to sorrows of the heart, who has not occasionally sinned? I am totally convinced that the Devil only ever tempts the best of men.
— Ramón del Valle-Inclán, Sonata de primavera
It is a capital mistake to theorise before one has data. Insensibly one begins to twist facts to suit theories, instead of theories to suit facts.
— Sir Arthur Conan Doyle, “A Scandal in Bohemia”
And she carried him, as the sea will carry a boat: with a slow, rocking and rising and falling motion, barely suggestive of the violence of the deep.
— James Baldwin, Another Country
There was something frightening about the aspect of old friends, old lovers, who had, mysteriously, come to nothing. It argued the presence of some cancer which had been operating in them, invisibly, all along and which might, now, be operating in oneself.
— James Baldwin, Another Country
Ages and ages ago, Ida had not been merely the descendent of slaves. Watching her dark face in the sunlight, softened and shadowed by the glorious shawl, it could be seen that she had once been a monarch.
— James Baldwin, Another Country
Most letters from a parent contain a parent’s own lost dreams disguised as good advice. My good advice to you is to pay somebody to teach you to speak some foreign language, to meet with you two or three times a week and talk. Also: get somebody to teach you to play a musical instrument. What makes this advice especially hollow and pious is that I am not dead yet. If it were any good, I could easily take it myself.
— Kurt Vonnegut, in a letter to his daughter Nanette
I don’t like the way you treat me at all. You have totally wrecked me with your absent-minded, dumb Dora promises to come see me, and with your equally fog-bound, last minute announcements that your life has become so complicated, hi ho, that you cannot come. I would find such indifference to my feelings painful, even if it came from a little kid. You are chronologically a grown-up now. But you are clearly unable to imagine me as a living, interesting, sensitive, vulnerable human being. God only knows that you think I am.
— Kurt Vonnegut, in a letter to his daughter about his divorce
I am cuter than you.
— Kurt Vonnegut, in a letter to Norman Mailer
Advice my father gave me: Never take liquor into the bedroom. Don’t stick anything in your ears. Be anything but an architect.
— Kurt Vonnegut, in a birthday letter to his son
It is my agnosticism which gets me into trouble with the censors, I am sure. They honestly believe that we have under law an established religion and that it is Christianity. They also believe that the Constitution has no more to do with law than a Hallmark Greeting Card.
They also believe that Anglo-Saxons really own this country, and the rest of us shouldn’t forget for a moment that we are merely guests here.
— Kurt Vonnegut, in a 1983 letter
January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: the woman she saw peering anxiously by the light of a match at the names in a dark doorway, the man who scribbled a message and handed it to his friend before they parted on the sidewalk, the man who ran a block for a bus and caught it. Every human action seemed to yield a magic. January was a two-faced month, jangling like jester’s bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.
— Patricia Highsmith, The Price of Salt